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album Before I Self Destruct (2009)

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Title: Before I Self Destruct
Artist: 50 Cent
Genre: Hip-Hop
Released: 2009

Tracks:
1 - Baby By Me (feat. Ne-Yo) - 3:33 -
2 - Do You Think About Me - 3:27 -
3 - So Disrespectful - 3:39
4 - Death to My Enemies - 3:46
5 - Then Days Went By - 3:45
6 - Psycho - 4:43
7 - Hold Me Down - 3:19
8 - Crime Wave - 3:45
9 - Stretch - 4:08
10 - Strong Enough - 3:03

Overview:
Before I Self Destruct is the fourth studio album by American rapper 50 Cent, released November 9, 2009 on Interscope Records in the United States. It is his final solo release for his current contract with Interscope Records, excluding a "greatest hits" album. A feature film, also titled Before I Self Destruct was also made, and is available within the album packaging. The Invitation Tour took place in promotion of the album and his then upcoming studio album Black Magic, which has since been shelved.
Initially, Before I Self Destruct was planned to be 50 Cent's 2007 album, for which he confirmed he had already completed twelve songs. However, he decided to release Curtis instead, and thus Before I Self Destruct's release date was originally pushed back to 2008.
In a red carpet interview 50 Cent stated that while he was working on the album, he wrote, produced, and directed his first film saying that the release of the film would coincide with the release of the album.
Though a tracklist appeared in early January 2009, 50 Cent later stated he reworked much of the album.
Another track stated to be on the album, though not officially confirmed as a single, entitled "Crime Wave" was released in late October 2009.
The album's release date was initially announced to be February 4, 2008, but later moved to March 2008, due to the release date of Curtis being pushed up to September 2007. However it was later revealed, in an interview with G-Unit members Tony Yayo and Lloyd Banks, that the album was scheduled to be released during the 4th quarter of 2008, with 50 Cent himself later stating that the album was due to be released December 9, 2008.
MTV later reported that the album will instead be released in 2009, with February 3 being the date 50 Cent himself confirmed. Though it was later pushed back to March 2009, with March 24 being set as the day, until he later confirmed that mentor and labelmate Eminem's album, Relapse, was going to be released before his own. 50 Cent then told MTV that he would release the album in June, with the date being changed once again as he decided to retool parts of the album once Eminem's Relapse was completed. However, the album was pushed back to a Fall 2009 release, with September being the specific month. On Jimmy Kimmel Live!, 50 Cent stated that the album will be out "second week of September, I'll be back on the streets baby", with the date later stated to be specifically September 11, which at the time, was the release date of Jay-Z's The Blueprint 3. However, these reports were later contradicted by MTV, when they stated that 50 Cent exclusively confirmed the release date as September 29, 2009. The album was later officially confirmed to have been pushed back again by 50 Cent, who claimed November 3, 2009 as the newly confirmed release date, but this was once again changed to November 17, 2009. However, in October 2009, the album was pushed back a week to make the release date November 24, 2009. Universal has pushed several albums forward to November 23, 2009, including Before I Self Destruct.
50 stated that because the album leaked and the good response it got, he will release the album a week earlier, on November 16. The album was released exclusively on the iTunes Store on November 9 at 12:00am, while the physical copy was released in stores on November 16. Since the album was released digitally a week ahead of the physical copy, Interscope records requested that Billboard and Nielsen SoundScan uphold a rule instituted in 2008 where a label may ask Nielsen SoundScan to hold the digital sales count of an album for up to one week, and for Billboard to delay charting that album, when a leak results in a digital album beating its physical counterpart to brick and mortar stores.[27]
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Music information in first post provided by The AudioDB
It's been more than two years since Curtis Jackson, aka 50 Cent, first announced the release of Before I Self Destruct. In that time, fans have already seen the arrival of not just one 50 Cent album—2008's Curtis—but also a G-Unit project. While curtis its moments, it felt uneven, though 50 at least attempted to break away from his typical formula, collaborating with the likes of Akon, Justin Timberlake, and Nicole Scherzinger, and toning down his usual gun-centric lyrics in favor of a more mainstream appeal. Though the album was successful by most standards, it failed to live up to 50's bold claim that it would outsell Kanye West's Graduation, falling short by about 250,000 units.

Perhaps because of that disappointment, Before I Self Destruct feels like a return to form for 50 Cent—a pivot back to what he knows best: 16 tracks centered around themes of violence, crime, and vengeance. The album occasionally reflects a longing for the days before hip-hop became so entrenched in conflict, but in the present, it offers little in the way of mercy. Despite the familiar subject matter, 50 still excels at this style. Tracks like "Then Days Went By" and the Dr. Dre-produced "Death to My Enemies" combine gritty lyrics with soulful beats, balancing aggression with moments of melody.

Highlights include "Gangsta’s Delight," a dark reimagining of The Sugarhill Gang’s *Rapper’s Delight*, and "Hold Me Down," a surprisingly tender take on thug love. However, one potential drawback is just how much 50 Cent dominates the album. Aside from the obligatory appearances by Lloyd Banks and Eminem (whose chilling verse on "Psycho" recalls the unsettling energy of his *Relapse* album), guest spots are scarce. Cameos from R. Kelly and Ne-Yo are relegated to the album's latter half, almost as afterthoughts.

While Before I Self Destruct is sure to satisfy 50’s core fanbase, it treads familiar ground. 50 has delivered this kind of material before, often with more impact, and although the album won’t alienate his audience, it does give off a sense of diminishing returns.
 
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